“Political Acts: Regina José Galindo at Davidson College,” in Burnaway
Written by: Kellie Bornhoft
October 22nd, 2015
Unfazed bystanders shuffle past Regina José Galindo as she carries a large bowl of swishing blood, real blood. At every seven or eight paces, the performance artist lowers the bowl to the ground, steps into the blood, and marks the streets of Guatemala City with red footprints. Dressed in a black dress, as if in mourning, she traces a path from the Constitutional Court to the National Palace. As seen in a video and photographs, Galindo’s 2003 public performance ¿quién puede borrar las huellas? (Who Can Erase the Footprints) was a response to a recent change in the constitution by...
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