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Screenprint with a bare woman pushing her hair upward. Another woman, whose eyes are covered by a dark box, holds an American flag.
Today, most of us recognize March 8th as International Women’s Day, yet the holiday was instituted in the United States less than a century ago. Situated within a rich tapestry of key moments in the feminist movement, both the advent of International Women’s Day and its significance are best understood in context. A brief investigation of the historical trajectory of landmark progress points in the women’s rights movement sheds light upon the gradual formulation and development of the holiday as we know it. Though the twentieth century brought with it many of the watershed events which combined to secure the...
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As a senior art history major at the galleries, I had the honor of curating a landscape exhibition to accompany local artist Elizabeth Bradford's stunning exhibition Warp Weft Water Weeds. The show takes a look at landscapes, both historical and contemporary, to contemplate who creates and is included in the landscapes presented. Whether through imagined worlds or attempts at the "real," artists use landscapes as a medium to hint at deeper issues of identity, inclusion, and ancestry. Henri-Joseph Harpignies (French, 1819-1916), Autumn Landscape with Washerwoman at the River, 1906, Oil on canvas, 21.75 x 25.75 inches. Gift from the estate...
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Unknown artistChinese Blue and White Porcelain Plaque, Kangxi Period, ca. 1662-1772Porcelain7.5 x 10.25 in.Gift of Dan McLawhorn, Class of 1970, and Robert J. Hazelgrove, Jr. While this may look like a simple painting, it is actually a porcelain plaque painted with brilliant blue and white glazes. I had the chance to examine and discuss this artwork in my Asian Art After 1000 class this semester. This porcelain artwork is from the Kangxi Period, although its artist is unknown. The Kangxi Period lasted from 1662-1772 under the reign of Emperor Kangxi within the Qing Dynasty, China. Blue and white glazed porcelain...
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"Firewood, Poke" "Dying Poke" "Rain, Redbud" "What the Beaver Did" For months leading up to Elizabeth Bradford’s exhibition, I passed by one of her pieces in the gallery’s office and hanging storage. Every time, I was completely captivated and seduced by its vibrant, intertwining colors. Now that the show is up in the Van Every Gallery, I see how Bradford’s work transforms familiar botanicals—plants I’ve always found beautiful—into something even more striking through vivid hues and intricate details. A few pieces have completely bewitched me, holding me captive and refusing to let me look away. As someone who loves the...
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Seen in Storage: Aberham Linckon

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February 17th, 2025

As a child, I remember the joy of waking up on a cold Monday morning and realizing I could spend the day at home. Looking back, though I knew it was Presidents’ Day, I did not think much of it, aside from my gratitude for the day off.  As a political science major, I reflect on my youthful lack of awareness with curiosity, but in retrospect, it is no surprise that the holiday was not on my radar. I never actually learned about the origins or significance of Presidents’ Day in school, and as such, I didn’t give much thought...
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