News

Hurra Dura by Terrence Karpowicz
Terrence Karpowicz (American, b. 1948)Hurra Dura, 1993Oak, cherry, lead, graphiteGift of Daniel Schneider Two years ago I first stepped into the Visual Arts Center, or what we call the "VAC." From then on the lounge on the 2nd floor of this building became my favorite place on campus. Part of the reason why I love the space is that from there, I get to appreciate the sculpture Hurra Dura by Terrence Karpowicz. Standing at the end of the hallway, its wooden curve reflects the sunshine pouring from the glass dome of the atrium. The wood and stone give it a...
Read More

Pearce Hyatt ’22 | Fat Cats

Written by:

February 17th, 2022

I often find myself returning to some version of the phrase, “The more you see the less you know.” The events of the last few years have cemented this: the death of my close friend, the transition out of college, and the social pressures of Instagram and Facebook. As an artist I am interested in exploring these diverse ideas through individual pieces that reflect distinct ideas, like different songs on an album striking different tones. I primarily work with intaglio and found object to create a gallery space that draws you in and exposes you to contradictory anecdotes. If you walk...
Read More

New Acquisition: Nicholas Galanin

Written by:

February 16th, 2022

Nicholas Galanin monotype
We are excited to announce our acquisition of Nicholas Galanin's Dreaming in English (like our ancestors moved), one of nine monotypes created for our exhibition, Nicholas Galanin: Dreaming in English. We technically have two pieces on campus from Galanin right now: one temporary, one permanent. Unshadowed Land is a year-long outdoor work meant to transform a soil silhouette of Andrew Jackson into a garden of Catawba corn, recognizing the settler history of the Carolinas while celebrating the resilience of indigenous people. This first piece is meant to grow, to weather, and finally — when no longer visible — to rest...
Read More

Marquia standing in front of one of her paintings with her arms raised.
Formed at the intersection of social and physical environments is community. As an overarching theme in my work, I'm fascinated by parallel developments of communities and the individuals that represent them. Connected to my personal experience, my artwork often relates to Black identity and existence. Shifting between two-dimensional and three-dimensional work, I explore moments when an individual shapes their environment — both social and physical — while simultaneously being shaped themselves. Hometown? Maple Hill, North Carolina What is your primary medium? Mixed media. What was the inspiration for your show? My show is a collection of stories/experiences I’ve learned in classes or...
Read More

Sarah Jackson ’22 | In the world of.

Written by:

February 8th, 2022

In nature, the Mangrove is a physical link between land and sea – creating a connection between two disparate landscapes while dividing them at the same time. I create large scale works of Mangroves that when displayed aim to create an overwhelming environment of images that move between creation and disruption. Growing up in Johannesburg I would drive to school and see people living on the streets, less than 5 minutes away from my house – this was a normal, everyday experience. Johannesburg is made up of contrasting areas bordering one another – the landscapes are connected by proximity but...
Read More