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Nicholas Galanin: Unshadowed Land

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November 15th, 2021

Nicholas Galanin, Unshaowed land, in progress
Nicholas Galanin (Tlingit and Unangax, b. 1979)Unshadowed Land Nicholas Galanin’s exhibition, Dreaming in English, is on view at the Van Every/Smith Galleries through December 9, 2021. Over the past two decades, Galanin has worked across media, materials, and processes, engaging past, present, and future to expose widespread misappropriation and commodification of Indigenous visual culture, the impact of colonialism, intentionally obscured collective memory, and barriers to the acquisition of knowledge. His practice, encompassing sculpture, installation, photography, video, performance, printmaking and textile-based works, unites traditional and contemporary processes and materials to reclaim narrative and creative agency, and contribute to the continuum of Tlingit...
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Returning Intern: Sarah Zhang

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November 10th, 2021
Meet Sarah Zhang, one of the returning interns on staff at the Van Every/Smith Galleries! Sarah Zhang is a Junior studying psychology and art history at Davidson College from Shanghai, China. Learn more about Sarah: What has been your favorite exhibition during your time at Davidson? "The current one! From The Earth Rise Radiant Beings! Go check it out!" Check out the exhibit here: https://www.davidsoncollegeartgalleries.org/dcag-exhibitions/7835/ What is your favorite thing about working in the gallery? "Looking at all the different art!" What are you most excited to do this semester in the art gallery or art in general? "Seeing greater...
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Seen in Storage : Peter Doig

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November 9th, 2021

Peter Doig, Masquerades
Peter Doig (Scottish, b. 1959)Masquerades, 2006Giclee print on Somerset velvet enhanced 22528.75 x 24 x 1.5 inGift of Charlotte and Alan Artus Peter Doig’s magical realist composition, Masquerades, is simultaneously charming and unsettling, making it difficult to look away. What appears at first glance to be a joyous moment shared between a bride and her groom quickly becomes tainted with eeriness as the composition imparts a ghostly overtone. The vibrant background is muted by the composition’s wash, allowing the central figures to dominate the foreground. The couple is in motion, perhaps walking towards the masquerade for which they are dressed and costumed....
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As part of the celebration for Hispanic Heritage Month, students from the Organization of Latin American Students (OLAS) are presenting Donde Estamos, Where We Stand, an art exhibition celebrating the varieties of identities of Latinx people. The exhibition incorporated works in the Van Every/Smith Gallery collection and the personal collection of Dr. Jennifer Garcia Peacock. Ester Hernandez (American, b. 1944)Sun Mad, 1982ScreenprintCollection of Dr. Jennifer Garcia Peacock When I walked into the exhibition, the exuberant colors of Sun Mad, by artist Ester Hernandez, immediately caught my eye. Its vibrant color stands in contrast to most, if not all, of the artworks...
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Nicholas Galanin did not begin his talk at Davidson College with esoteric and abstract metaphors, but rather with a collection of photographs from his life in his hometown of Sitka, Alaska — images of fishing, various projects he’s working on, like a dugout canoe he is carving with his uncle and cousin, the community, and wildlife. By beginning with these pictures, he underscored how one’s practice of art exists in the everyday and is tied to our connection to the earth: a profound reminder. Galanin, a Tlingit and Unangax Indigenous artist, creates art that pulls from both contemporary Western art...
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